Antonin Dvorak–Sept. 8

by Mary Ann Stewart on September 7, 2011

Born Sept. 8, 1841 in Nelahozeves, Bohemia (now Czech Republic)
Died May 1, 1904 in Prague, Austria-Hungary (now Czech Republic)

For Dvorak, classical music was a vehicle to express the character of a nation, and native folk melodies were important in his works. A passionate proponent of his homeland, as was Smetana before him, he continued to develop a Czech style, inspired by folk music as heard in Slavonic Dances, in symphonic poems inspired by Czech folklore, and in many songs. His father was a butcher as well as a professional zither player, who encouraged his son to also become a butcher. Fortunately for the son and for the world, Dvorak opted for a career of music, and not butchery.

From 1892 to 1895, Dvorak was director of the National Conservatory of Music in New York City. While in America, he was zealous about discovering an American style of music. One of his students, Henry Burleigh (one of the earliest African-American composers), introduced him to black spirituals, which Burleigh later transcribed and collected with his teacher’s encouragement. Dvorak’s search for an American musical idiom culminates in his 9th and last Symphony, subtitled “From the New World.”  While the themes are original, some show the inspiration of African-American and Native American melodies.  This most American of symphonies is still a worldwide favorite, a recording of which was even taken to the moon in 1969 on Apollo 11. Dvorak encouraged American musicians to continue to search for a national style, influencing such composers as Amy Beach and William Grant Still. Aaron Copland also incorporated American folk tunes in his music, which helped further define an American style of music.

Dvorak was musically influenced and encouraged by his friendships with Brahms and Tchaikovsky. He composed in all genres, including operas, symphonies, chamber music, songs, symphonic poems, concerti, choral works and more. Deeply religious, Dvorak composed his largest choral work, Stabat Mater, at the death of his daughter; today it is often performed at Easter in the Czech Republic.

Listen to the 2nd Movement of Dvorak’s 9th Symphony, “From the New World”:

Largo, Mvt. 2 of Dvorak’s New World Symphony, played by the Dublin Philharmonic

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Do we really need the Arts?

by Mary Ann Stewart on September 4, 2011

To create, one must first imagine; to imagine, one must first learn to see, to listen, to feel, to perceive. Music and the arts are the cornerstone of education in the broadest sense. They open our eyes and ears, develop and transform us personally, connect us emotionally with others, and offer a universal bridge of understanding in a troubled world. Music and the arts play a lifetime role as a child develops into adulthood. They help us integrate body, mind, and spirit, and help us forge bonds with others. The arts encourage us to explore who we are and what we stand for, inspire us to discover our “better angels” as individuals and as societies, and help us overcome barriers of language, generations, and geography to assert our essential humanity. The arts are a beacon of freedom and common cause, and have been the “movers and shakers of the world forever, it seems,” reasserting the universal rights of the human spirit whenever and wherever they are threatened.

From the first soothing sounds of a mother’s lullaby to the bright colors and comforting touch of a favorite blanket or toy, the miraculous world of infancy begins to open up. Babies react to sights and sounds around them, connecting emotions and meanings to what they see and hear. Soon they interact with the outer world as they enter a creative phase of imitating external sounds, rhythms, movements, smiles, gestures. They are, in effect, hooked on the elements of art that surround them: the lines, shapes, textures, colors, patterns, movements, rhythms, expressions, and forms that connect them to their ever-expanding world. The arts help wire and integrate young brains for lifelong learning–energizing and connecting the body, mind, and feelings. An instinctive love of music, poetry, and dramatic play is fostered through nursery rhymes, singing, dancing, and rhythm games, just as the gloriously messy and colorful world of art beckons with unlimited possibilities in finger paints, play dough, bubbles, and blocks. Storytelling, tactile toys and books, pretend games, and games of hiding and discovery like Peekaboo and Hide ‘n Seek stir imaginations and add excitement in the fantastic fray of a toddler’s perceptions. But none of this is mere child’s play: early exposure to the arts lays a complex groundwork of mental, physical, and emotional connections that opens the door to a lifetime of curiosity, learning, experimenting, problem solving, understanding, and creativity.

The arts are at the heart of every child. And the arts must be at the heart of education. If we choose to ignore children’s basic instincts for music and art at early ages, or fail to nourish their innate love of the arts throughout their education as they mature, we will as a society have “missed the beat” and “missed the boat.” The ancient Greeks knew the value of arts in education. Aristotle thought the cornerstones of education should be music for the mind and spirit and gymnastics for the body. Centuries later John F. Kennedy expressed our need for the arts this way:
“The life of the arts, far from being an interruption, a distraction, in the life of a nation, is very close to the center of a nation’s purpose. . .and is a test of the quality of a nation’s civilization.”

Music in Motion’s 2012 catalog hopes to be true to the spirit of both Aristotle and Kennedy, by presenting the best in music and movement education for all ages, along with complementary art, dance, and creative dramatics, to redirect the arts “to the center of a nation’s purpose,” where they belong. The arts, like the heart, pulsate at the center of our common humanity. They are, simply, our life blood.

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Metropolitan Opera at the Movies, 2011-12 Season

August 26, 2011

Take advantage of “front row” seats at the Met’s new 2011-12 HD Live opera season, and watch opening day performances (or encore evening showings) at local movie theaters throughout the world. Although nothing beats a live performance at the Met in Lincoln Center, these simulcast live performances on screen are the next best thing, and [...]

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SING ME A STORY: The Musical Approach to Children’s Literature

May 12, 2011

Jill and Michael Gallina share news of their exciting new musical that highlights the importance of literature and reading: If you are interested in a musical that takes place entirely on risers and integrates music and children’s literature into one easy-to-produce package, we hope you’ll consider our latest “Rise and Shine” musical SING ME A [...]

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Olivier Messiaen – Dec. 10

April 26, 2011

“I give bird-songs to those who dwell in cities and have never heard them. . .and paint colors for those who see none.” —Messiaen. He used birdsongs and colors as no musician ever had before, bringing beauty and hope even to fellow prisoners in a German POW camp.

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Christmas in the Trenches: The “Silent Night” Truce

November 21, 2010

After months of deadly trench warfare, on Dec. 24, 1914, German and British soldiers in Belgium suddenly ceased hostilities and, through the singing of carols, celebrated Christmas together. This film documents their spontaneous musical truce with eyewitness reports, proving that "people who make music together cannot be enemies, at least not while the music lasts" [...]

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Domenico Scarlatti – Oct. 26

October 26, 2010

  Painting by Velasquez Born Oct. 26, 1685 in Naples, Italy Died July 23, 1757 in Madrid, Spain Domenico Scarlatti was born into an illustrious musical family, auspiciously in the same year as two other great Baroque composers,  J. S. Bach and Handel. He received early training from his father Alessandro Scarlatti (1660-1725), chapel organist [...]

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George Gershwin – Sept. 26

September 26, 2010

True music must repeat the thought and inspirations of the people and the time. My people are Americans and my time is today.      – George Gershwin Born Sept. 26, 1898 in Brooklyn, New York Died July 11, 1937 in Hollywood, California George Gershwin, the son of Russian Jewish immigrants, is the quintessential American composer. [...]

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Dmitri Shostakovich – Sept. 25

September 25, 2010

Born Sept. 25, 1906 in St. Petersburg, Russia Died Aug. 9, 1975 in Moscow, Russia A product of the Bolshevik Revolution, Shostakovich was the most famous of all  Soviet composers. He led a politically and personally troubled life, yet produced some of the century’s most celebrated and frequently performed works even today . Born into [...]

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Autumn from Vivaldi’s Four Seasons

September 24, 2010

Antonio Vivaldi (1678-1741) wrote numerous concertos, many of them for the young ladies who resided in the Venetian orphanage where Vivaldi was employed for most of his working career. (Many of these “orphans” were daughters of affluent  noblemen and their mistresses, and they lived in very comfortable circumstances and were given excellent musical training.)  Some [...]

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Ray Charles – Sept. 23

September 23, 2010

Ray Charles overcame blindness and poverty to become a legend in American music. His gritty mix of gospel, rhythm and blues, and jazz speaks to kids as well as adults.

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Jimmy Reed – Sept. 6

September 7, 2010

Born September 6, 1925 in Dunleith, Mississippi Died August 29, 1976 in Oakland, California Mathis James “Jimmy” Reed, musician and songwriter popular during the 1950’s and ‘60’s, was noted for his electric blues guitar sound, lowdown harmonica, and slack-voiced, twangy singing style (which was his charm and trademark sound which many musicians imitated). He composed [...]

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John Cage – Sept. 5

September 5, 2010

Born Sept. 5, 1912 in Los Angeles, California Died Aug. 11, 1992 in Manhattan, New York “There are two things that don’t have to mean anything; one is music, and the other is laughter.” – John Cage, paraphrasing Immanuel Kant. (Cage agreed with Kant that music and laughter don’t have to mean anything in order [...]

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Darius Milhaud – Sept. 4

September 4, 2010

Born Sept. 4, 1892 in Aix-en-Provence, France Died June 22, 1974 in Geneva, Switzerland   “Don’t be afraid of writing something people can remember and whistle. Don’t ever feel discomfited by a melody".  Milhaud to his student Burt Bacharach Milhaud was a student of Charles Widor, Vincent d’Indy, and Paul Dukas.  A member of Les [...]

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Opera for Kids: Free Resources from the Met

August 27, 2010

 Educator Guides to the Operas Plan an opera study unit for your students based on one of the operas in the 2010-11 Metropolitan Opera season, climaxing with a Night at the Opera in a local movie theater or at your school. The Met Live in HD series offers free opera-specific educational guides you can use [...]

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Catch the Met’s 2010-11 Operas in Movie Theaters

August 26, 2010

The fifth season of the Metropolitan Opera’s Live in HD series is coming to a movie theater near you! Enjoy front row seats at these live opening night productions. It is so easy to feel more engaged with opera on a large screen, where you can see everything “up close and personal.”  Feel the pre-performance [...]

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World Cup Music: Shostakovich’s Soccer Match

July 11, 2010

Don’t underestimate the power of either sports or music when it comes to exciting a crowd. Even as a tormented composer writing under the harsh restrictions and demands of Communism, in his 1929 ballet  The Golden Age big-time soccer fan and sometime soccer referee Shostakovich recreated a soccer match. In this ballet, a communist soccer team [...]

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The Music of Soccer: Top 5 Soccer Pieces in Classical Music

July 7, 2010

There’s a lot more to World Cup soccer music than national anthems and the penetrating blare of “vuvuzela” horns.  WQXR classical FM station, highlights the top 5 soccer pieces from 100 years of soccer-inspired classical music.

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Hidden Musical Code in Plato’s Writings

July 7, 2010

A scholar in England just announced his discovery of a secret music code in the writings of Plato.  As a closeted follower of Pythagoras, whose heretical beliefs threatened traditional religion, Plato believed that music and mathematics were closely related, and that music was a reflection of the mathematical principles that governed the universe. Pythagoras codified [...]

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Copyright Laws vs. Teens: The Battle Rages

July 2, 2010

When famed Broadway songwriter Jason Bert Brown discovered his songs were being “traded” freely online by those who had never purchased a legal copy, he thoughtfully requested that the traders stop the illegal trading. Read this fascinating exchange with a recalcitrant yet extremely bright and articulate teenager. Eleanor’s teenage sense of entitlement is absolutely breathtaking. [...]

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Jazz Festivals 2010

June 29, 2010

Here are links & dates for jazz festivals around the world, so plan a trip around an  enticing jazz venue that beckons you to kick back and enjoy live jazz at its convivial best. Jazz Festivals in USA Jazz Festivals in Canada UK Jazz Festivals European Jazz Festivals Worldwide jazz festivals are also listed geographically, [...]

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Vienna Vegetable Orchestra: Veggies Never Sounded So Good

June 28, 2010

Since 1998, the Vienna Vegetable Orchestra has performed on musical instruments they make from fresh vegetables. (I couldn’t make this up.) They shop for veggies at the local produce market, spend a few hours making their vegetable instruments, then after their concert, they throw them into the pot and serve up vegetable soup. Contrary to [...]

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The Met Brings Opera into the Classroom

June 15, 2010

Bring full-scale Metropolitan Opera productions into your classroom! The free Live in HD school program from the Met is now available in some school districts around the country, and online educational guides put the icing on the cake.  Teaching guides for each Metropolitan opera production include classroom activities, musical highlights, story synopses, accompanying audio clips, [...]

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The Fine Art of Listening: for Musicians & Audiences

June 11, 2010

Listening skills should be stock in trade for musicians, but experienced musicians face the same challenges of concentration and active listening that audiences do.  Timothy Walker’s keynote speech at Great Britain’s ISM (Incorporated Society of Musicians) hopefully didn’t fall on tin ears. Walker, Chief Executive of the London Philharmonic Orchestra, realistically addresses the difficulties musicians [...]

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